So I was reading an essay on
metafandom by
minisinoo about suspension of disbelief in slash, in which she says:
This idea—that all ship fic has the burden of "selling the ship"—is something I've rejected for a while now, though I've never talked about it much specifically. But I do have a problem with it, and this essay makes it easier for me to organize those thoughts, finally.
( I don't see my job as a writer to be selling anyone about anything. )
This is why I tend to have problems with OTPs -- both slash and het. There's a sense of "assumed inevitability" that must be bought into off camera rather than built within the story itself. The writer assumes the reader accepts the pairing even before reading. As long as readers do, all is well ... but it won't convince those who don't already see it. (And that often includes me, I'm afraid.)
Frankly, there's little I see as a given about relationships. I want to be wooed into believing by a well-told tale. In turn, I extend that courtesy to my readers. I don't expect you, the reader, to see anything as a given, either. It's my job to sell it to you.
It's ASSUMPTION that kills the believability of a story. Show, don't assume. Build the case. Convince me.
This idea—that all ship fic has the burden of "selling the ship"—is something I've rejected for a while now, though I've never talked about it much specifically. But I do have a problem with it, and this essay makes it easier for me to organize those thoughts, finally.
( I don't see my job as a writer to be selling anyone about anything. )